Showing posts with label recliner-bound reviews. Show all posts
Showing posts with label recliner-bound reviews. Show all posts

Friday, January 15, 2010

recliner-bound reviews: lucky louie



for all intents and purposes, sitcoms have been around since the advent of television. it's an ancient medium that has always been geared to hit as many target demographics as possible, and as such, been consistently watered down so as to not offend the delicate sensibilities of john q. public while still getting them to chuckle at broad jokes stemming from the premise of "men are from mars and women are from venus, and their in-laws are crazy."

the long ago canceled hbo series lucky louie, created by and starring comedian louis ck, takes all the stereotypical tropes of the modern sitcom (predictable plot lines, dirt-cheap sets, an emasculated husband, the loving wife who puts up with him, their precocious kid, more wacky neighbors/coworkers/family members than are probably necessary, all filmed before a live studio audience) and tries to bend them to its will. that the show was on hbo allowed for some subversive humor that turns genre expectations on their head, while never straying very far from the basic frame of any given episode of say, everybody loves raymond or king of queens. for instance, there are a lot of penises in this show, as well as an ample amount of explicit sex talk and general profanity. oftentimes this subversion works well, sometimes making scenarios much more relatable than their network tv counterparts, and other times it seems a little overindulgent. generally, the times it works make up for the times it doesn't. i'm not sure if i would call this a forgotten gem per se, but it's definitely a worthy footnote for having approached the sitcom genre from a truly unique angle.

Wednesday, January 13, 2010

recliner-bound reviews: the last of sheila (1973



one of the few upsides of having a busted leg is that i get to call up friends and invite them over to watch whichever movie they've recommended to me on numerous occasions but i haven't gotten around to seeing.

my friend matt has gone through four copies of the last of sheila in recent years, having loaned them out to friends who never got around to returning it. while a more cynical person might see this as sad indicator as to the quality of his friends, i would like to think that they've all either fallen in love with it themselves or loanedit out to other deserving recipients.



the last of sheila turned out to be a great puzzle of a picture, loaded with catty hollywood in-jokes, rapid fire dialog kicked back and forth by a great ensemble cast, more twists than a contortionist convention touring a pretzel factory (yeah, i said it), and each and every one of james coburns teeth. the script, written by noted puzzle nerds anthony perkins and stephen sondheim, is intricately plotted and takes some interesting chances in the ways that it plays with the audiences perceptions and expectations of its characters. the cast has excellent chemistry and really seems to be having a lot of fun trotting around the mediterranean for this fun little mystery.

this strikes me as one of those weird "only in the 70s" sort of movies that can be easily overlooked, but ultimately rewards multiple viewings.

Tuesday, January 12, 2010

recliner-bound reviews: junebug



as followers of the four star facebook feed might be aware, some guy named chris broke his leg on saturday. that chris was ME! now have a ton of time on my hands (and OFF my FEET! har!) and plan on spending it watching hell of movies and hopefully tossing out a review once a day. the first of the bunch is junegug, directed by phil morrison.



this sweet little indie comedy from 2005 was such a wonderful surprise of a film. once you think you know where it's going, it quickly changes gears and becomes something else entirely while still feeling like the same movie at its large-hearted core. while everyone turns out solid performances, (even the oc's resident tough-guy ben mckenzie does alright!) this is amy adams' movie. she completely dominates every scene she's in, both with sly facial tics and perfectly aloof line delivery that never come off as insincere or belittling to her character, and towards the end with a dramatic turn that rings surprisingly true and never verges towards the overwrought.

happily enough, i was born and raised in north carolina and went to school in the appalachian mountains, so i have it on pretty good authority that this movie really nails the middle class rural southern family experience while staying away from any broad southern stereotypes. some of my favorite moments were the the long shots detailing vacant backyards, empty bedrooms and dinging rooms as well as small plots of freshly plowed red clay that manage to convey the tone of life in the foothills without being heavy handed.

on top of the great comedic and dramatic performances and perfectly detailed southern setpeices, there's tons of added value in the film, not the least of which comes from the work of the fictitious outsider artist and civil war phallus enthusiast david wark.

all in all, this is an excellent little film that might have gone overlooked by some people. highly recommended, says me. now, if you'll excuse me, i have a handful of batman the animated series episodes to get through before the pain meds kick in.